以樹脂藝術創作 擁抱失控的詩學

「他」象徵人類，在這一層面上，藝術家探討人類在敬畏中棲居的意義，更是一種信仰的隱喻，是人類對未知力量的敬畏；而「然」象徵自然，並非僅指山川湖海的自然世界，它更蘊含著無法預測與掌控的不確定性。藝術家張滙希以樹脂作為主要的創作媒介，在樹脂顏料在固化前的流動、氣泡的隨機停駐、溫差裂開的紋路——所有「不完美」皆被凝結為時間的標本。「我希望擁抱這些『意外』，將不可控的變數化為創作中的契機，讓無法預測成為創作中的『余白』。」張滙希解釋說。「創作的過程和結果，都猶如失控的詩學；每一筆觸、每一色彩都承載時間與自然的氣息。」這次展覽不僅是對自然的簡單描繪，更是對人類與自然互動的深刻反思，邀請觀者親身體驗留白的藝術之美，探索在這種共創中所產生的無限可能。

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放空感受余白 沉浸式多感官體驗

是次展覽將首次展出藝術家張滙希的 10 件新作品，以樹脂藝術、燈光、聲音、場地設計與機械裝置等探討非自然與自然之間的關係。環境和空間與是次展覽主題《他然》息息相關，既是樹脂畫藝術家又是室內設計師的張滙希，悉心設計場地的氛圍和體驗，加入動態感應器讓觀者與藝術裝置互動，置身於多感官體驗。張滙希形容是次展覽說：「《他然》如一面鏡子，映照出我們與自然的距離與交融。」觀者從展覽第一件作品《序：起初的無限》最根本、最純粹開始，順著每件作品，踏入對於余白的進程。在此，萬物之間的邊界似乎逐漸模糊，而身體是離自己最接近的自然，因此，身體也是留白的一部分。這種狀態讓觀者慢慢學會放空，在靜默中感受失控的詩意，反思自我和重新認識與自然的關係。

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Immerse In the Negative Space and Multi-Sensory Art Experience

This exhibition will debut 10 new artworks by Rolland Cheung, of which he uses resin art, light, spatial design, and electronic installations to explore the relationship between the natural and unnatural. As both a resin artist and an interior designer, Rolland meticulously designs the atmosphere, ambience and experience with the use of motion sensors for viewers to interact and immerse in the multisensory “New Natural” journey. He says, "New Natural acts as a mirror, reflecting the distance and fusion between us and nature." Viewers will start with the first artwork, “At the very beginning”, and embark on a journey through each piece, delving into the process of negative space. Here, the boundaries between all things seem to blur, leaving space for exploration and imagination. Our body, which is the closest form of nature to oneself, becomes part of that blankness. In the exhibition, viewers will not only see every brushstroke and color transformation of the artworks but also feel the spatial emptiness and untouched blankness from the experience. This state allows them to gradually learn to empty their minds, experiencing the poetry of uncontrol in silence, reflecting on themselves and rethinking their relationship with nature.